Frans Hals
1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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Frans Hals Catharina Hooft with her Nurse oil painting


Catharina Hooft with her Nurse
1619-20 Oil on canvas, 68 x 65 cm
Painting ID::  51984
Frans Hals
Catharina Hooft with her Nurse
1619-20 Oil on canvas, 68 x 65 cm
   
   
     

Frans Hals Verdonck oil painting


Verdonck
c. 1627 Oil on panel, 46,7 x 35,6 cm
Painting ID::  52209
Frans Hals
Verdonck
c. 1627 Oil on panel, 46,7 x 35,6 cm
   
   
     

Frans Hals Portrait of a Lady oil painting


Portrait of a Lady
mk223 in1624
Painting ID::  52733
Frans Hals
Portrait of a Lady
mk223 in1624
   
   
     

Frans Hals Portratt of Willem Coymans oil painting


Portratt of Willem Coymans
mk234 1645 77x63cm
Painting ID::  53819
Frans Hals
Portratt of Willem Coymans
mk234 1645 77x63cm
   
   
     

Frans Hals The women-s governing board for Haarlem workhouse oil painting


The women-s governing board for Haarlem workhouse
mk234 1664 170x250cm
Painting ID::  53820
Frans Hals
The women-s governing board for Haarlem workhouse
mk234 1664 170x250cm
   
   
     

         9  10  11  12  13  14  15  16  17  18   
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     Frans Hals
     1580-1666 Frans Hals Galleries In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.

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